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The world’s first movie about kids in global cinema. It’s a passionate, poetic portrait of the adventures of childhood – its surrealism, loneliness, fun, destructiveness and stroppiness – as seen through 53 great films from 25 countries.It includes classic movies like E.T. The Extra-Terrestrial and The Red Balloon, also dozens of masterpieces (many directed by women) that are almost unknown.It combines the child’s eye view of Mark Cousins’ acclaimed film The First Movie, with the revelations and bold movie history of his 15 hour documentary The Story of Film: An Odyssey. Class m felony. As such, A STORY OF CHILDREN AND FILM is an eye opener, a landmark film and a celebration of both childhood and the movies. Mark Cousins Writer/Director/DP Why Make this Film? I've always been interested in kids in movies.

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Malayalam mp3 songs download. They're often less controllable and controlled than adult actors. Many children in films are, of course, projections of adult concerns but, in some of the best films about kids, and the ones where children have a degree of agency, we can see glimpses of almost natural behaviour, or of ad-libbing for the camera which is playful, fine-grained, fresh. I love such moments in a movie when the director cuts the kid a bit of slack to be themselves, show off, have fun, get upset. Such emotions come and go in kids really quickly, almost like a movie editor can cut in an instant between different situations. Movies seem alive in such moments, unpredictable, capricious.

I hope we've incorporated some of this in A Story of Children and Film. Why Make this Film? I've always been interested in kids in movies. They're often less controllable and controlled than adult actors.

Many children in films are, of course, projections of adult concerns but, in some of the best films about kids, and the ones where children have a degree of agency, we can see glimpses of almost natural behaviour, or of ad-libbing for the camera which is playful, fine-grained, fresh. I love such moments in a movie when the director cuts the kid a bit of slack to be themselves, show off, have fun, get upset. Such emotions come and go in kids really quickly, almost like a movie editor can cut in an instant between different situations. Movies seem alive in such moments, unpredictable, capricious. I hope we've incorporated some of this in A Story of Children and Film. The movie is the latest in a string of things I've done about children.

The first piece I ever directed for BBC Scotland TV was about kids. I co-founded the charity Scottish Kids are Making Movies to try to help kids from unprivileged backgrounds to discover the fun and creativity of film. The work I do with Tilda Swinton, especially the 8 ½ Foundation (www.eightandahalf.org.uk) is often child-like in, we hope, a good way.

My first film for the big screen, The First Movie, was about kids in Kurdish Iraq, etc. A Story of Children and Film takes these interests and marries them with some of the approaches we used in the 15 ½ hour film The Story of Film: An Odyssey: Lots of film clips, a commentary by me, a boldly international range of films, and many by the great women directors. ASOCAF looks at 53 films, from 25 countries. Unlike TSOF:AO, however, ASOCAF isn't a chronological history and certainly doesn't try to cover all the areas of children in film. It isn't really a history film at all. It's more a portrait of childhood as seen through the movies. The movie clips are like the palette of colours we use to paint the picture.

As I started thinking about ASOCAF, I realised that I had to find a way of making it doable in just 100 mins or so. I had to find a point of view, a frame to contain what could have been an unwieldy subject. Then I remembered a 12 minute shot I'd done of my niece and nephew, Laura and Ben Moreton, playing in my flat.